Sam Mendes’ NTLive King Lear is an almost flawless production of the play at the National Theatre, which was broadcasted live to cinemas worldwide. The phenomenal Simon Russell Beale stars as a megalomaniac Lear who is slowly losing his mind.
Obvious Child is a sweet and funny romantic (abortion) comedy for the 21st century
Gillian Robespierre makes her directorial debut with Obvious Child, a sweet and funny romantic comedy in which the pair of lovers must cope with getting an abortion before they become something more than a one night stand.
An intriguing stranger is bad news in the entirely original Borgman
A hobo and a charmer, Camiel Borgman (a restrained and compelling Jan Bijvoet) may seem sympathetic at the start of writer-director Alex van Warmerdam’s bizarre but compelling Borgman, but then again, Ruth Gordon seemed too lovable to be in the business of buying babies for the devil. Although Borgman can accurately be described as part psychological […]
‘Ivory Tower’: why US college financing is broken
Like its Sundance competitor “Fed Up”, which tackled rising obesity rates, Andrew Rossi’s documentary, “Ivory Tower”, takes on another major problem in American society: the rising cost of college tuition and whether it’s even worth what we’re paying for it. Both docs do a thorough job of illuminating many facets of a complex and important problem, but […]
Reviews: pulp thriller Cold in July and disappointing LGBT drama Test
Every city has a cinema where movies go to die. In San Francisco, Landmark’s Opera Plaza Cinemas takes that honour: with five tiny screens and sound so tinny your iPod earbuds would probably be an improvement, the cinema plays hosts to movies that have worn out their welcome at Landmark’s bigger screens or that were […]
Review: We Are The Best! is a winning and funny film about gutsy, punk-loving teenage girls
We Are The Best!, the uproariously funny and buoyant new film from Swedish auteur Lukas Moodysson, follows a trio of teenage girls who form a punk rock band.