Simon talks about making her new documentary, Premières Solitudes, tackling teenage frustrations, being truthful on camera, and the position of the adult …
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Recent articles
‘You only address colonialism with solemn seriousness if you don’t experience it daily’: Lucrecia Martel on Zama
Argentine director Lucrecia Martel discusses Zama, colonialism, violent masculinity, and how absurd humour is a potent way to criticize both. …
Interview: ‘Cutting to amplify emotion’ in Lean on Pete
Editor Jonathan Alberts discusses the long, painstaking editing process on Lean on Pete, from screening dailies on location, to creating a sound temp track, …
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Interview: Colour reveals character in LOP‘s set design
Lean on Pete production designer Ryan Warren Smith discusses how he created rich, detailed environments that subtly reveal character. This is the third feature …
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Behind the Lens: Lean on Pete DP Magnus Jønck
DP Magnus Jønck approached Lean on Pete as a modern western, keeping the focus solely on character and de-romanticising the landscape. This is the second …
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Andrew Haigh: ‘Blocking is everything’
Writer-director Andrew Haigh (Weekend, 45 Years, Looking) on his meticulous blocking and how he used it to express the journey of a boy searching for home in …
Journey’s End is a thoughtful, modern screen adaptation
Saul Dibb’s adaptation of the acclaimed play sees the source material through a modern lens and makes use of the intimacy unique to the cinematic form. …
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Director Warwick Thornton on his TIFF Platform Prize Winner Sweet Country
Indigenous Australian director Warwick Thornton talks being his own cinematographer on Sweet Country, shooting on Alexa and UV, and developing the film's …
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Review: Indian Horse and the limits of allyship in adaptation
Based on Ojibwe author Richard Wagamese’s novel set in the 1960s, Stephen Campanelli's Indian Horse uses the hook of Canada’s national sport — hockey — to …
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Ramsay’s characters escape trauma through sensations
Lynne Ramsay’s features centre on characters dealing with trauma by losing themselves in sensations, not language. This is the seventh feature in our Special …
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