Ana Lily Amirpour’s wasteland survival story, The Bad Batch raises a lot of issues while never quite getting to its point. …
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Toronto’s InsideOut Film Festival highlighted great queer coming-of-agers
Toronto's InsideOut Film Festival, a showcase for current LGBT cinema, featured several great queer coming-of-agers from around the world: Handsome Devil, A …
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Director Rungano Nyoni on her Zambia-set debut I Am Not a Witch
Zambia-born, Cardiff-raised director Rungano Nyoni discusses her first feature I Am Not a Witch, which tackles patriarchal constraints on women in Zambia, and …
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Review: San Francisco’s beautiful The Speakeasy is more bar than theatre
San Francisco's site-specific The Speakeasy from Boxcar Theatre invites you into a Prohibition-era haunt with amazing period costumes and design but fall shorts …
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Review: The Public Theater takes a joyous, bare bones Twelfth Night on the road
The Public Theater Mobile Unit brings Shakespeare’s farcical romance of mistaken identities, Twelfth Night, to prisons, community centers, and more in New York …
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Review: Linney and Nixon impress in Little Foxes on Broadway
Director Daniel Sullivan makes the most out of Lillian Hellman's uneven Little Foxes, creating a showcase for Laura Linney and Cynthia Nixon. …
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Elle and Big Little Lies: Progressive representations of violence against women
Paul Verhoeven's Elle and Jean-Marc Vallée's Big Little Lies share the common goal of unmasking the omnipresence of misogyny via its horrific manifestations in …
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Doubles and disguises reign in Desdemona Chiang’s excellent As You Like It at CalShakes
Desdemona Chiang's As You Like It at CalShakes is an inventive modern dress production emphasizing doubles, disguises, and the performance of love. …
Interview: Steve James talks ABACUS: Small Enough to Jail
Steve James’ new documentary, ABACUS: Small Enough to Jail is a wonderful little treasure. On one level, it’s the story of a small family-owned bank, ABACUS, in …
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Interview: Director Cristian Mungiu on the sound design of Graduation
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