Editor Jane Rizzo discusses cutting Leave No Trace, developing the father-daughter relationship, building the soundscapes for different locations, and …
Establishing Shots: Zsófia Szilágyi on One Day
Hungarian director Zsófia Szilágyi discusses her impressive feature debut One Day, avoiding cliches while telling a typical story, fighting over the film’s …
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Establishing Shots: Rebecca Addelman on her marriage drama, Paper Year
Addelman discusses fictionalising her first marriage into her feature debut, which took years of rewrites, great casting, and generous collaboration. …
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Establishing Shots: Daniel Kokotajlo on his feature debut, Apostasy
Daniel Kokotajlo discusses the autobiographical roots and the making of his feature debut, Apostasy, set in a community of Jehovah's Witnesses. …
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Ben Foster on silence and trauma in Leave No Trace
Ben Foster discusses how he prepared for his role as Will in Leave No Trace. This is the fifth piece in our Special Issue on Debra Granik's Leave No Trace. …
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Debra Granik frames poverty as a systemic failure to empathize
Debra Granik's films — Down to the Bone, Stray Dog, and Leave No Trace — focus on individuals who struggle to navigate an unfriendly social support system in an …
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Growing up and growing apart in Leave No Trace
Debra Granik's film uses the unusual story of a father and daughter living in the woods to tell the classic coming-of-age narrative of parent-child separation. …
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Feminist Horror Special Issue: pitch us!
We are seeking pitches for our Special Issue about feminist perspectives on horror cinema. If you’d like to write for us, this is the best way to get started: …
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Director Tim Wardle discusses Three Identical Strangers
Three Identical Strangers director Tim Wardle discusses creating a thrilling yet respectful documentary, gaining the trust of his subjects, and making a …
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What to see at Fantasia Fest 2018
Montreal is currently hosting Fantasia, the largest and longest running genre cinema festival in North America. Elena Lazic highlights some films to keep an eye …