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Alex Heeney

Alex Heeney / May 9, 2014

SFIFF Reviews: Bad Hair and Night Moves

Two of the highlights of this year’s SFIFF were the LGBTQ coming-of-ager Bad Hair and Kelly Reichardt’s environmental terrorism thriller, Night Moves.

Yossi Aviram, The Dune

Alex Heeney / May 6, 2014

SFIFF Film Review: Yossi Aviram’s La Dune is a story of two broken men

Yossi Aviram’s directorial debut, which he also penned, is a quiet story of two broken men — a father and his estranged son — who are always shot as lonely figures against a vast, beautiful landscape.

Of Horses and Men, Club Sandwich

Alex Heeney / May 3, 2014

Review: Of Horses and Men and Club Sandwich

Two of my SFIFF favourites, Of Horses and Men and Club Sandwich, have not been picked up for US distribution, but will screen once more at the festival. Catch them on the big screen while you can.

Locke, Steven Knight, Tom Hardy

Alex Heeney / May 2, 2014

Review: Locke takes the road less travelled

When Ivan Locke (Tom Hardy) gets into his BMW and drives away, at the beginning of Locke, he puts his personal and professional lives into crisis. His destination is a hospital in London, about ninety minutes from his construction site, for a personal errand. Going there means taking the road less travelled, a righteous path, […]

When Evening Falls on Bucharest, Fed Up, Reconstruction

Alex Heeney / April 27, 2014

SFIFF Day 2: From Romania to Argentina on the big screen

When Evening Falls on Bucharest or Metabolism The best argument for shooting on celluloid in the digital age gets made in the Romanian film When Evening Falls on Bucharest or Metabolism, which screened Friday at SFIFF. In the first scene, Paul (Bogdan Dumitrache), a young director, explains that he prefers film because it has the […]

Alex Heeney / April 25, 2014

Hossein Amini’s The Two Faces of January kicks off SFIFF with style

The Two Faces of January kicked off the 2014 San Francisco International Film Festival with style, including a Q&A with writer-director Hossein Amini.

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