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Alex Heeney

Alex Heeney / May 23, 2022

Cannes Review: Chie Hayakawa’s Plan 75 is a devastatingly unsentimental triumph

Chie Hayakawa’s Plan 75 is a plea for empathy amidst broken systems that leave the most vulnerable and elderly Regard sidebar at Cannes 2022.

Alex Heeney / May 10, 2022

Navalny film: Investigating your own murder on film is bizarre

Daniel Roher’s documentary Navalny is an entertaining and thrilling film about the Russian politician who challenged Putin and paid the price.

Alex Heeney / May 3, 2022

Palm Trees and Power Lines is a harrowing debut from Jamie Dack

Jamie Dack’s Palm Trees and Power Lines finds a film language to depict sexual assault and coercion in a way that keeps us emotionally involved with our heroine, without reveling in the horrors of the abuse

Alex Heeney / April 15, 2022

Mutzenbacher and Man Caves explore men’s views on sex and love

In both Mutzenbacher and Man Caves, women directors interview a slew of men about their thoughts on sex and love.

Alex Heeney / March 23, 2022

Oscar nominee Eskil Vogt on writing The Worst Person in the World

Oscar nominee Eskil Vogt discusses co-writing The Worst Person in the World, writing naturalistic dialogue, and more.

Alex Heeney / March 14, 2022

Sam Green on his live documentary 32 Sounds

After the film’s world premiere at Sundance, Sam Green discusses his live documentary 32 Sounds, encouraging active listening, and the possibilities in the live documentary form.

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