In this interview celebrating the tenth anniversary of Oslo, August 31st, director and co-writer Joachim Trier reflects back on his career-changing film.
Anders Danielsen Lie reflects on his breakout role in Oslo, August 31st
For the 10th anniversary of Joachim Trier’s Oslo, August 31st, Anders Danielsen Lie reflects back on his work on the film.
There is a world elsewhere: Exile in Joachim Trier’s Oslo, August 31st and Louder Than Bombs
In this essay, we discuss exile in two Joachim Trier films: Oslo, August 31st’s clear cut, fatalistic story of exile, and how that sense of estrangement in Louder than Bombs is much more complex and optimistic.
Sundance Review: CODA is a crowdpleaser with nuanced ideas about disability
Siân Heder’s crowd-pleaser, CODA, is a film that, in any other year, would have the Eccles Theatre on its feet with rapturous applause.
Reviews: The Hidden Life of Trees and The Loneliest Whale
Two straightforward nature docs drop you into worlds unseen: travel to forests around the world in The Hidden Life of Trees and underwater in the Pacific Ocean in The Loneliest Whale: The Search for 52.
Une jeune fille qui va bien (A Radiant Girl) finds a new angle on life under fascism
Sandrine Kiberlain’s feature debut, Une jeune fille qui va bien (A Radiant Girl), is the story of an aspiring Parisian actress living under the Nazi occupation.