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Alex Heeney

The header image of this essay shows a still from Oslo, August 31st next to a still of characters from Louder Than Bombs, behind a streak of purple bearing the white text: "Oslo, August 31st at 10".

Alex Heeney / August 30, 2021

There is a world elsewhere: Exile in Joachim Trier’s Oslo, August 31st and Louder Than Bombs

In this essay, we discuss exile in two Joachim Trier films: Oslo, August 31st’s clear cut, fatalistic story of exile, and how that sense of estrangement in Louder than Bombs is much more complex and optimistic.

A young woman sits on a boat in this still from CODA. The text on the image reads, 'Review'.

Alex Heeney / August 13, 2021

Sundance Review: CODA is a crowdpleaser with nuanced ideas about disability

Siân Heder’s crowd-pleaser, CODA, is a film that, in any other year, would have the Eccles Theatre on its feet with rapturous applause.

Alex Heeney / July 23, 2021

Reviews: The Hidden Life of Trees and The Loneliest Whale

Two straightforward nature docs drop you into worlds unseen: travel to forests around the world in The Hidden Life of Trees and underwater in the Pacific Ocean in The Loneliest Whale: The Search for 52.

Alex Heeney / July 8, 2021

Une jeune fille qui va bien (A Radiant Girl) finds a new angle on life under fascism

Sandrine Kiberlain’s feature debut, Une jeune fille qui va bien (A Radiant Girl), is the story of an aspiring Parisian actress living under the Nazi occupation.

Alex Heeney / June 29, 2021

Fathom: a documentary about humpback whales’ songs

Drew Xanthopoulos’s documentary Fathom follows two marine ecologists studying humpback whale songs on their month-long field research.

Alex Heeney / June 22, 2021

Highlights of the 2021 InsideOut Film Festival

The 2021 InsideOut Film Festival featured some of the best LGBTQ+ films of the year, with highlights including A Sexplanation and Beyto.

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