Riz Ahmed’s Oscar-nominated performance in Sound of Metal, as a heavy metal drummer going deaf, is a tour de force.
‘In the Innu language, every word is an image’: Kim O’Bomsawin on Call Me Human
Abenaki filmmaker Kim O’Bomsawin discusses her documentary Call Me Human (Je m’appelle humain) and telling the story of Joséphine Bacon and her friends.
Berlinale Review: A girl wakes up to misogyny inSummer Blur
Han Shuai’s feature debut, Summer Blur, follows thirteeen-year-old Guo in a hot summer in Wuhan where everyone seems to be exploiting women.
What to see at the 2021 Rendez-vous with French Cinema
The 2021 Rendez-vous with French Cinema features some of the best films of the year, as well as highlights like Should the Wind Drop, Mandibles, and Faithful.
Berlinale Review: I’m Your Man — Are mirrors the perfect lovers?
In Maria Schrader’s I Am Your Man, a cuneiform researcher is torn between her ethics and the appeal of a robot lover who meets all her needs.
Berlinale Review: The long goodbyes of Céline Sciamma’s Petite Maman
In Céline Sciamma’s fifth feature, Petite Maman, getting to know your mother is like chasing after a ghost.