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Alex Heeney

Alex Heeney / March 3, 2021

Berlinale Review: The long goodbyes of Céline Sciamma’s Petite Maman

In Céline Sciamma’s fifth feature, Petite Maman, getting to know your mother is like chasing after a ghost.

Alex Heeney / March 2, 2021

Danis Goulet on her Indigenous sci-fi thriller Night Raiders

Cree filmmaker Danis Goulet discusses her feature debut Night Raiders, which looks at motherhood and the horrors of residential schools through a sci-fi lens.

A still from Spoor, next to a headshot of director Agnieszka Holland. The text on the image reads, 'Interview'.

Alex Heeney / March 1, 2021

Agnieszka Holland on the secrets of her filmmaking process

For the North American release of her 2017 film, Spoor, Agnieszka Holland goes deep on her filmmaking process, working with actors, and how she develops a film’s aesthetic.

Alex Heeney / February 28, 2021

Nina Hoss on My Little Sister and acting with the camera

Actress Nina Hoss discusses My Little Sister, Switzerland’s Oscar entry, and why it’s important for her performance to know how a film is going to be shot.

A still of Ana Katz in front of a still of The Dog Who Wouldn't Be Quiet. The text on the image reads 'Interview'.

Alex Heeney / February 25, 2021

The Dog Who Wouldn’t Be Quiet: Ana Katz on the best film of Sundance

Ana Katz’s The Dog Who Wouldn’t Be Quiet was our favourite film of Sundance and won awards at IFFR. We spoke with Katz about collaborating with her brother over a three year shoot.

Alex Heeney / February 23, 2021

Shatara Michelle Ford’s Test Pattern explores power dynamics

Shatara Michelle Ford’s Test Pattern explores power dynamics, in the lead up to and aftermath of a sexual assault, and how a couple copes.

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