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Alex Heeney

Alex Heeney / March 8, 2021

Berlinale Review: A girl wakes up to misogyny inSummer Blur

Han Shuai’s feature debut, Summer Blur, follows thirteeen-year-old Guo in a hot summer in Wuhan where everyone seems to be exploiting women.

Alex Heeney / March 7, 2021

What to see at the 2021 Rendez-vous with French Cinema

The 2021 Rendez-vous with French Cinema features some of the best films of the year, as well as highlights like Should the Wind Drop, Mandibles, and Faithful.

Alex Heeney / March 4, 2021

Berlinale Review: I’m Your Man — Are mirrors the perfect lovers?

In Maria Schrader’s I Am Your Man, a cuneiform researcher is torn between her ethics and the appeal of a robot lover who meets all her needs.

Alex Heeney / March 3, 2021

Berlinale Review: The long goodbyes of Céline Sciamma’s Petite Maman

In Céline Sciamma’s fifth feature, Petite Maman, getting to know your mother is like chasing after a ghost.

Alex Heeney / March 2, 2021

Danis Goulet on her Indigenous sci-fi thriller Night Raiders

Cree filmmaker Danis Goulet discusses her feature debut Night Raiders, which looks at motherhood and the horrors of residential schools through a sci-fi lens.

A still from Spoor, next to a headshot of director Agnieszka Holland. The text on the image reads, 'Interview'.

Alex Heeney / March 1, 2021

Agnieszka Holland on the secrets of her filmmaking process

For the North American release of her 2017 film, Spoor, Agnieszka Holland goes deep on her filmmaking process, working with actors, and how she develops a film’s aesthetic.

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