Dominic Cooke discusses his second feature, The Courier, stealing from Hitchock, heightened realism, creating articulate shots, and his forthcoming Follies adaptation.
‘It was always about making you feel unsafe’: Oliver Hermanus on Moffie
South African auteur Oliver Hermanus on his 1981-set film, Moffie, about how the army indoctrinated conscripted boys with white supremacy and homophobia.
‘A film about nothings that overwhelm you’: Kateryna Gornostai on Stop-Zemlia
Kateryna Gornostai discusses making an ensemble coming-of-age film where everything for the characters is happening for the first time.
Kelly McCormack dissects the commodification of women in Sugar Daddy
Screenwriter-actress Kelly McCormack on her new film, Sugar Daddy, tearing down the male gaze, and redefining femininity.
Amanda Adolfsson on her family horror film Nelly Rapp: Monster Agent
Swedish director Amanda Adolfsson discusses Nelly Rapp: Monster Agent, working with child actors, and balancing horror and comedy.
Review: Maxine Peake shines in Fanny Lye Deliver’d (The Delivered)
Maxine Peake leads Thomas Clay’s refreshing genre film, Fanny Lye Deliver’d (The Delivered in the US), about a woman’s emancipation.