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Alex Heeney

Alex Heeney / February 28, 2021

Nina Hoss on My Little Sister and acting with the camera

Actress Nina Hoss discusses My Little Sister, Switzerland’s Oscar entry, and why it’s important for her performance to know how a film is going to be shot.

A still of Ana Katz in front of a still of The Dog Who Wouldn't Be Quiet. The text on the image reads 'Interview'.

Alex Heeney / February 25, 2021

The Dog Who Wouldn’t Be Quiet: Ana Katz on the best film of Sundance

Ana Katz’s The Dog Who Wouldn’t Be Quiet was our favourite film of Sundance and won awards at IFFR. We spoke with Katz about collaborating with her brother over a three year shoot.

Alex Heeney / February 23, 2021

Shatara Michelle Ford’s Test Pattern explores power dynamics

Shatara Michelle Ford’s Test Pattern explores power dynamics, in the lead up to and aftermath of a sexual assault, and how a couple copes.

Alex Heeney / February 16, 2021

What is the Sundance World Cinema Dramatic Competition?

The World Cinema Dramatic Competition at the 2021 Sundance Film Festival featured some genuinely exciting and original films, as well as many films that check the selection’s regular boxes.

Alex Heeney / February 12, 2021

‘The idea for the sound design was accepting silence’: Iuli Gerbase on The Pink Cloud

Brazilian filmmaker Iuli Gerbase discusses her feature debut, The Pink Cloud, about a couple unable to leave their homes for years but shot before the pandemic.

Alex Heeney / February 4, 2021

Luzzu director Alex Camilleri on why ‘Malta needed to play itself’

Writer-director Alex Camilleri discusses his feature film debut Luzzu which premiered at Sundance, telling authentic Maltese stories, and turning fishermen into actors.

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