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Alex Heeney

A still of Vincent Lacoste in Amanda, in front of a green background.

Alex Heeney / January 2, 2021

FYC: Vincent Lacoste gives his most restrained performance yet in Amanda

Vincent Lacoste has built a career as a sort of lovable goof, but in Amanda, he gives the most restrained performance of his career.

Alex Heeney / January 1, 2021

FYC: Virginie Efira’s effortless hot mess of a performance in Sibyl

In Sibyl, Virginie Efira pulls together a bizarre film and a hot mess of a character with her cohesive, hilarious performance.

A still from Slalom, in which a girl holding ski equipment looks disturbed, her face shrouded in darkness. The text on the image says: Review.

Alex Heeney / December 11, 2020

Charlène Favier’s Slalom is a complex exploration of abuse

Charlène Favier’s Cannes-selected debut, Slalom, is a tense pas-de-deux between a 15-year-old professional skiing star, Lyz (Noée Abita) and her coach, Fred (Jérémie Renier).

A still from Charlatan, in which a man holds up a small glass of urine to the light and stares at it, while another main watches him from behind. The text on the image says: Review.

Alex Heeney / December 10, 2020

Charlatan draws parallels between a faith healer and communism

Agnieszka Holland’s Charlatan tells the story of Czech herbalist and healer Jan Mikolášek to draw parallels with post-war communism.

Alex Heeney / December 9, 2020

Sophie Dupuis explores masculinity in a Quebec mine in Souterrain

Sophie Dupuis’s second film, Souterrain, is a thoughtful exploration of the emotional lives of men working in a Quebec mine.

Alex Heeney / November 26, 2020

Guillaume Canet shines in Au nom de la terre (In the Name of the Land)

Au nom de la terre (In the Name of the Land) tracks farmer Pierre Jareau as he struggles with increasingly crippling debt and his mental health declines.

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