Valérie Deloof on editing the sound for Proxima, collaboration in post-production, and creating an immersive soundscape.
‘I’m somewhere between a midwife and a psychoanalyst’: Julien Lacheray on editing Proxima
Julien Lacheray, who has edited all of Alice Winocour’s features, discusses the collaboration between filmmaker and editor, thinking about sound, and Proxima. This is the second article in our Special Issue on Proxima.
The 2020 Festival du Nouveau Cinema showcases the old and the new of world cinema
The 2020 Festival du Nouveau Cinema showcased classics, like Les Ordres, and the latest in world cinema, from Undine to Caught in the Net.
‘Camp works best when it’s played straight’: Bruce LaBruce on Saint-Narcisse
After premiering at the Venice Film Festival, Bruce LaBruce’s Saint-Narcisse screened across Canada at Montreal’s Festival du Nouveau Cinema. LaBruce talked to us about updating the Narcissus myth, tackling taboos, twincest, and taking inspiration from 1970s Quebec cinema. What if Narcissus looked into the pond and his reflection walked out of it so that they […]
When Hitler Stole Pink Rabbit, Antisemitism and more at the Toronto Jewish Film Festival
We recommend what to watch at the Toronto Jewish Film Festival this weekend, including When Hitler Stole Pink Rabbit and Antisemitism. Films are available across Ontario.
I Am Greta is part of the problem it portrays
Nathan Grossman’s I Am Greta about teen climate activist Greta Thunberg tells the story of the girl behind the figurehead but fails to take an interest in what matters most to her.