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Alex Heeney

An Indigenous man in a traditional headdress surveys the landscape in Inconvenient Indian. In the foreground of the image is director Michelle Latimer. The text on the images reads 'Interview'.

Alex Heeney / September 22, 2020

TIFF Interview: Michelle Latimer on Indigenous agency in Inconvenient Indian

Michelle Latimer discusses Inconvenient Indian, her award winning essay film, and reclaiming cultural images of Indigenous people.

A couple embraces in Naomi Kawase's True Mothers.

Alex Heeney / September 22, 2020

TIFF Review: True Mothers explores the trauma and shame of motherhood

True Mothers is one of Naomi Kawase’s best films to date, a thoughtful drama about the shame associated with unconventional motherhood.

Alex Heeney / September 17, 2020

TIFF Review: Bandar Band is a road trip through the 2019 Iran floods

The 2019 Iran floods are the backdrop of director Manijeh Hekmat’s often lighthearted film, Bandar Band.

A still from the TIFF film Violation.

Alex Heeney / September 14, 2020

TIFF Review: Violation starts out well but disappoints

Violation is a cottage-country-Canada twist on the rape-revenge genre, which explores consent and the limits of revenge.

Alex Heeney / September 13, 2020

TIFF Review: Chloé Zhao’s Nomadland is romantic to a fault

Chloé Zhao’s Nomadland is her most technically accomplished, accessible, and sadly, conventional and sentimental work to date.

Alex Heeney / September 11, 2020

TIFF Review: Francis Lee’s Ammonite is transporting

Ammonite, Francis Lee’s follow-up to God’s Own Country transports us back to 1800s Lyme, where pioneering paleontologist Mary Anning (Kate Winslet) spent her life finding, cleaning, and selling fossils.

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