• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • Shop
  • Join Reel Ruminators

Alex Heeney

The TIFF logo on a latop on a background of question marks.

Alex Heeney / September 11, 2020

Who is TIFF 2020 for anyway?

In this unprecedented time of pandemic, TIFF had a chance to do something special in 2020. From a place of love, we dissect the shortcomings of this year’s digital festival.

Natasha Kermani and Brea Grant in front of a still from their film Lucky. The image features text that says this is an interview for the Fantasia Film Fest.

Alex Heeney / September 9, 2020

Natasha Kermani and Brea Grant on the horror of daily misogyny in Lucky

Director Natasha Kermani and writer-star Brea Grant discuss their slasher horror-comedy Lucky, a film that makes the horrific impact of daily microaggressions visible.

Saoirse Ronan and Billy Howle in On Chesil Beach face each other, one of them coloured in blue, the other coloured in red. They stand against a seaside background.

Alex Heeney / September 6, 2020

We need to talk about sex in On Chesil Beach

In On Chesil Beach (starring Saoirse Ronan), sex causes the breakdown of a relationship because the couple doesn’t have the language to discuss it.

Alex Heeney / September 1, 2020

Michael Venus and Gro Swantje Kohlhof on German horror and Sleep

Director Michael Venus and star Gro Swantje Kohlhof discuss their new German horror film, Sleep, which deals with dreams, patriarchy, and Nazis.

A man holds a mermaid in the still from the French film A Mermaid in Paris, currently playing at the Fantasia Film Festival.

Alex Heeney / August 30, 2020

A Mermaid in Paris is a whimsical delight

A Mermaid in Paris feels like a cross between Amélie, Moulin Rouge, and Paddington — only very, very French. This is part of our coverage of the 2020 Fantasia Film Festival, which runs until September 2. Films are available to screen online in Canada for $8. What do you do when you spot an injured […]

An image of Kris Rey superimposed over a still from her film, I Used to Go Here, featuring Gillian Jacobs. The image has the text, Interview, over it.

Alex Heeney / August 8, 2020

Kris Rey on her comedy of mid-30s malaise, I Used to Go Here

Writer-director Kris Rey on her new comedy, I Used to Go Here, about a writer who returns to her alma mater for a few days of self-discovery.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 38
  • Page 39
  • Page 40
  • Page 41
  • Page 42
  • Interim pages omitted …
  • Page 112
  • Go to Next Page »

Footer

Support Seventh Row

  • Film Adventurer Membership
  • Cinephile Membership
  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions
  • Workshops & Masterclasses
  • Shop

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2025 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account