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Alex Heeney

Alex Heeney / March 30, 2020

The month of Josh O’Connor: Emma and Hope Gap

Josh O’Connor is the primary reason to see both Emma. and Hope Gap. Alex Heeney looks at what makes his performances so memorable.

Claire Foy, Unsane, Women in Horror Month

Alex Heeney / February 25, 2020

Claire Foy in Unsane (Great horror performances #2)

In this excerpt from her essay on Claire Foy’s career, which features in our feminist horror ebook Beyond Empowertainment, Alex Heeney discusses the many masks of Claire Foy in Unsane.

Alex Heeney / February 18, 2020

Mostly British Film Festival returns to SF for 2020

The 2020 Mostly British Film Festival kicked off last weekend in San Francisco with great films from the UK and beyond, including The Delinquent Season, Hearts and Bones, and Sorry We Missed You.

Alex Heeney / January 29, 2020

Sundance Review: Charter is psychologically complex

Amanda Kernell’s second feature, Charter, toys with the reliability of the protagonist’s perspective, who is herself uncertain, in this psychologically complex study of a broken family.

Alex Heeney / January 27, 2020

Sundance ’20 Review: Okavango: River of Dreams

Okavango: River of Dreams is a stunningly photographed nature documentary about the ecosystem in and around the Okavango in Africa.

Alex Heeney / January 26, 2020

Sundance ’20 Review: Summer White (Blanco de Verano)

Rodrigo Ruiz Patterson’s Summer White is a haunting story about a toxic mother-son relationship that gets interrupted by her new beau.

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