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Alex Heeney

Alex Heeney / January 23, 2020

Sundance ’20 Review: Cuties (Mignonnes)

Maïmouna Doucouré’s Cuties is an often compelling crowd-pleaser, if somewhat under-baked, which looks at how girls end up becoming over-sexualized at a young age.

Alex Heeney / January 17, 2020

Review: What She Said: The Art of Pauline Kael

What She Said: The Art of Pauline Kael is a good introduction to the legendary film critic, but ignores much of the context and legacy of her work.

Alex Heeney / January 12, 2020

Sam Mendes’s 1917 is breathtaking in every way

A chamber drama tucked inside an exquisitely rendered war epic, Sam Mendes’s 1917 is a breathtaking thriller with perfect pacing.

Alex Heeney / January 8, 2020

Alla Kovgan on translating dance onscreen in Cunningham

Alla Kovgan discusses restaging and shooting excerpts from Cunningham’s work for her 3D doc Cunningham, including creating the camera choreography and capturing the sound.

Alex Heeney / January 8, 2020

A closer look at the TIFF 2019 Platform Competition

Proxima and My Zoe set the bar for what we should expect from female characters in film in TIFF’s Platform Competition, its flagship program for emerging filmmakers.

Alex Heeney / January 7, 2020

TIFF’s Platform Competition is having an identity crisis

Is TIFF’s Platform Competition helping to spotlight great under-the-radar world cinema or merely taking the spotlight away from worthier titles?

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