Francis Lee’s feature debut, God’s Own Country, is a moving coming-of-age story and a swoon-worthy romance about small gestures that signal major changes. This review of God’s Own Country is an excerpt from our ebook God’s Own Country: A Special Issue, which is available for purchase here.
‘I’m fascinated by the industrialization of the birthing process’: Director Heather Young on Milk
Canadian writer-director-editor Heather Young discusses her short, Milk. Watch the film for free here. Young has since made a great feature debut, Murmur, which we interviewed her about here.
‘Cutting at right angles’: Frederick Wiseman on Ex Libris: New York Public Library
Frederick Wiseman on the making of his exquisite Ex Libris: New York Public Library, which is about the role of the library in society.
Writer-director Eliza Hittman on Beach Rats and sculptural male bodies
Writer-director Eliza Hittman discusses the genesis of Beach Rats, working with actors, and the sculptural elements of the male body. Listen to our podcast on Eliza Hittman’s followup, Never Rarely Sometimes Always.
TIFF17 Review: Emma Thompson shines in The Children Act
Richard Eyre’s The Children Act, starring Emma Thompson, is a strong adaptation of one of Ian McEwan’s lesser novels.
TIFF17 Review: Xavier Legrand makes a strong directorial debut with Custody
The first time eight-year-old Julien (Thomas Gioria) must spend the weekend with his father, Antoine (Dénis Ménochet), in Xavier Legrand’s Custody, it’s an ordeal. It’s the start of the new custody agreement between his parents. He doesn’t want to go, and his mother Miriam (Léa Drucker) is sympathetic to his plight, lying to Antoine that […]