Director Cristian Mungiu discusses his approach to sound and framing in his new film, Graduation, which won Best Director at the 2016 Cannes Film Festival.
Writer-director Amanda Kernell talks Sami Blood
Amanda Kernell discusses her exquisite feature debut, “a coming-of-age story, with joik and blood, about a girl with a knife,” and how it illuminates South Sami history.
Review: In Sami Blood, an Indigenous Swedish girl is caught between two worlds
Amanda Kernell’s Sami Blood is an astonishingly accomplished and movie feature debut, which follows an Indigenous Swedish girl caught between two worlds. Read our interview with writer-director Amanda Kernell. Read our review of Kernell’s second feature, Charter.
Review: A deadline to wed in Rama Burshtein’s The Wedding Plan
Rama Burshtein’s The Wedding Plan, her follow-up to Fill the Void, is another thoughtful exploration of women and marriage in Orthodox Jewish culture.
Theatre Review: Simon McBurney’s The Encounter has to be experienced live
Simon McBurney’s one-man show The Encounter is a journey into the Amazon and the nature of consciousness, using theatre itself as a metaphor for memory.
Review: Katell Quillévéré’s Heal the Living is a visual delight
Katell Quillévéré’s Heal the Living is an utterly original film about the threshold between life and death, in which the camera moves through a hospital’s halls like blood coursing through the veins.