Gianfranco Rosi discusses the making of Fire at Sea (Fuocoammare): finding his protagonist, developing the film’s aesthetic, creating the sound mix, and discovering the film’s title.
Director Kleber Mendonça Filho on the sounds of Aquarius
Brazilian writer-director Kleber Mendonça Filho discusses his new film Aquarius, creating its complex sound design, choosing the soundtrack, and Brazilian architecture.
Ava DuVernay’s 13th is an innovative spin on the talking head doc
Employing key but subtle twists on the convention talking head documentary, Ava DuVernay’s 13th explains how slavery in the U.S. was never really abolished without ever resorting to preaching.
Andrew Neel’s Goat lacks psychological insight
Andrew Neel’s Goat is an excellent showcase for up-and-coming star Ben Schnetzer, whose strong performance hints at the better film it could have been had Neel been less focussed on brutality and more focussed on psychological insight.
Una is a psychologically complex screen adaptation of Blackbird
Renowned theatre director Benedict Andrews makes a remarkable feature debut with Una, a screen adaptation of David Harrower’s award-winning play Blackbird. Get our two-part interview with Benedict Andrews. Listen to our podcast on films depicting childhood sexual assault, including Una and Slalom.
Writer-director Ashley McKenzie talks Werewolf
Cape Breton writer-director Ashley McKenzie discusses her feature debut, Werewolf, “lawnmower crackheads”, working with non-actors, and being part of the TIFF family.