Ralph Fiennes’ titular bunch-backed toad is a man thoroughly damaged by years of abuse in Rupert Goold’s enthralling modern dress production. The production will be broadcast to cinemas around the world starting July 21.
Phaedra(s) is frustrating experimental theatre starring Isabelle Huppert
Phaedra(s) (or Phèdre(s)), a nigh four hour piece of avant garde theatre in French with English surtitles, starring Isabelle Huppert, is the centre-piece of the Barbican’s LIFT festival and coincides with a Huppert retrospective. Originally staged at the Odeon-Théâtre de l’Europe, Phaedra(s) runs June 10–18.
Writer-Director Athina Tsangari discusses Chevalier
Director and co-writer Athina Tsangari’s biting comedy Chevalier finds a group of men on a luxury yacht that becomes a pressure cooker for competition. Tsangari discusses developing the film’s aesthetic, designing the silly contests, and working in confined spaces.
Much Ado About Nothing is a wonderful season opener for CalShakes’ new artistic director
Despite a rocky start with “additional text” consisting of embarrassingly bad rhyming couplets, director Jackson Gay’s Much Ado About Nothing proves a great night out at the theatre. It’s an unconventional but still hilarious take on one of the Bard’s most accessible plays.
Writer-director Rebecca Miller discusses her great remarriage screwball comedy Maggie’s Plan
Maggie’s Plan writer-director Rebecca Miller discusses creating a modern take on A Midsummer Night’s Dream, finding a frothy tone, fitting her script to the actors, the importance of two-shots, and the art of costume and production design.
Israeli auteur Tali Shalom-Ezer discusses Princess
Princess is a sensitive, intimate film about 12-year-old Adar whose curiosity about sex gets confused when she receives sexual attention from her still loving step-father. Purchase the film on iTunes or watch it on Vimeo OnDemand.