My Cannes 2017 diary: Twitter reactions, reviews, and interviews about the films I saw in Cannes, covering the festival for @SeventhRow. I did not tweet about …
[Read more...] about Elena Lazic’s Cannes 2017 Diary: tweets and more
A place to think deeply about movies
My Cannes 2017 diary: Twitter reactions, reviews, and interviews about the films I saw in Cannes, covering the festival for @SeventhRow. I did not tweet about …
[Read more...] about Elena Lazic’s Cannes 2017 Diary: tweets and more
Presented in Critics’ Week, Chilean director Marcela Said’s Los Perros is part of a welcome resurgence of political films at the Cannes Film Festival. …
[Read more...] about Marcela Said on Los Perros: ‘As women, we take risks that men do not take.’
Los Perros fearlessly reveals the dilemma for women forced to choose between a desire to do whatever they want, and a desire to be recognised as political …
[Read more...] about Review: In Marcela Said’s Los Perros, the personal is political
Opening the Director’s Fortnight this year, Bright Sunshine In (Un Beau Soleil Intérieur) is an often disarming but always exciting new film from the French …
Naoko Ogigami's Close-Knit is a charming, if disappointingly conservative, family drama about a girl who finds herself being raised by a transgender woman. …
[Read more...] about Review: Close-Knit marks an important milestone for Japanese LGBTQ cinema
One of the highlights of last year's TIFF, The Levelling announces a new talent on the film scene in writer-director Hope Dickson Leach. She talks to Elena …
[Read more...] about Interview: Hope Dickson Leach discusses her astonishing debut The Levelling