Veronika Franz and Severin Fiala’s harrowing new drama makes their previous chillers, Goodnight Mommy and The Lodge, look like episodes of Mister Rogers’ Neighborhood.
Interview: Patricia Rozema on filmmaking, social safety nets, and dog resurrection
In this interview, legendary indie filmmaker Patricia Rozema sits down with us to discuss her works, from Cannes award winner I’ve Heard the Mermaids Singing to her lesbian romance When Night is Falling to Kit Kittredge: An American Girl.
Love Lies Bleeding is a slick, cheeky thriller about lesbian codependency
Unlike the harrowingly exquisite Saint Maud, Rose Glass’s second feature film, Love Lies Bleeding, is just as likely to make you giggle as it is to make you gasp.
Brandon Cronenberg on process, penises, and Possessor
Brandon Cronenberg discusses his fucked up horror film Possessor and its many unintentional penetration metaphors.
Isabelle Adjani in Possession (Great horror performances #1)
Lena Wilson discusses why Isabelle Adjani’s performance in Possession is one of her favourites by an actress in a horror film.
Rachel Morrison’s deeply empathetic cinematography
In Fruitvale Station, Cake, Dope, and Mudbound, Rachel Morrison’s cinematography immerses viewers in marginalized characters’ points of view.