Lithuanian writer-director Marija Kavtaradze discusses her second feature film, Slow, in this interview.
Cannes Film Review: Manuela Martelli’s 1976 ratchets up the tension
Manuela Martelli’s feature debut, 1976, which she co-wrote with Alejandra Moffat, is equal parts character study and taut political drama. The film 1976 screened in the Director’s Fortnight sidebar at Cannes 2022.
Renate Reinsve: ‘I wanted her to be strong in the chaos’
Renate Reinsve, the Cannes Best Actress-winning star of The Worst Person in the World, opens up about her breakout role.
The Lost Daughter is a skillful adaptation by Maggie Gyllenhaal
Maggie Gyllenhaal’s directorial debut skillfully adapts Elena Ferrante’s The Lost Daughter, the story of a middle-aged woman who shouldn’t have had kids and is now spiraling while on vacation. The film is now streaming worldwide on Netflix.
Ferit Karahan revisited his time at a Turkish boarding school for the chilling Brother’s Keeper
Ferit Karahan discusses writing and directing Brother’s Keeper, a nuanced and bleak film about Kurdish children living in fear at a Turkish boarding school.
Grace Glowicki on the strange experiments of her directorial debut, Tito
After her Canadian Screen Award nomination for Best First Feature, we spoke with multi-hyphenate Grace Glowicki about Tito, her oddball directorial debut.