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Seventh Row Editors

Costume Design, Best of 2017

Seventh Row Editors / January 4, 2018

Costumes with character: The best costume design of 2017

Great costume design furthers the narrative and reveals character. We pick the best costume design of the year, and explain how they enliven films beyond the surface. Read the rest of our best of the year content here.

Seventh Row Editors / January 2, 2018

The most ‘hella tight’ line readings of 2017

Great actors can take seemingly banal dialogue and make it memorable — for better or worse. We pick the best, and the most hilariously bad, line readings of 2017, and explain what makes them so unforgettable.

Seventh Row Editors / December 29, 2017

More than pretty pictures: The best cinematography of 2017

Great cinematography holds meaning beyond its aesthetic value. We pick our favourite cinematography of the year, including Thelma, Beach Rats, and A Quiet Passion, and explain why the images have purpose. Read the rest of our best of the year content here.

Call Me by Your Name, Timothée Chalamet, Armie Hammer, Luca Guadagnino

Seventh Row Editors / December 15, 2017

Our five favourite scenes from the second half of CMBYN

Our writers pick their favourite scenes from the second half of Call Me by Your Name and write about what makes them great. Read part 1 here. This is the fifth piece in our Special Issue on Call Me by Your Name. Read the rest of the issue here.

Call Me by Your Name, Timothée Chalamet, Armie Hammer, Luca Guadagnino

Seventh Row Editors / December 12, 2017

The six best scenes from the first half of Call Me by Your Name

Our writers pick their favourite scenes from the first half of Call Me by Your Name and write about what makes them great. This is an excerpt from the ebook Call Me by Your Name: A Special Issue. To read the complete list, get the ebook here.

Sergio & Sergei, Acquisition Films

Seventh Row Editors / September 14, 2017

Top 20 must-see acquisition films at TIFF17

The majority of the films that screen at TIFF have yet to be picked up for distribution in North America — or even elsewhere. Directors bring their films to the festival hoping to find an audience and a distributor to bring the film to an even bigger audience. If a film isn’t picked up for […]

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