Director Joachim Trier on Thelma, the dynamic between the subjective and objective gaze and portraying a dysfunctional father-daughter relationship.
Book Previews
Co-writer Eskil Vogt on Thelma: ‘We’re not happy with movies just being naturalistic. It has to explore cinematic form.’
Co-writer Eskil Vogt discusses approaching genre cinema for the first time, depicting characters’ interiority on screen, and his collaboration with director Joachim Trier.
‘She can be strong, even when she is wearing a bikini’: Director Coralie Fargeat and star Matilda Lutz discuss their feminist rape-revenge film Revenge
Director Coralie Fargeat and star Matilda Lutz discuss Revenge, the stigma around genre cinema, mixing humour and violence, and the way victims are still held responsible for being attacked. This is an excerpt from our forthcoming ebook on feminist horror beyond empowertainment. To read the entire article, get your copy of the book here.
Bright Young Things: Josh O’Connor is ready to be vulnerable
We take an in-depth look at the career of rising star Josh O’Connor who plays Johnny Saxby in God’s Own Country, his performance in the film, and talk to the actor about both.
Director Francis Lee on the craft behind God’s Own Country
We interview director Francis Lee talks about the technical aspects of making his first feature, from sound to camera movement to editing.
Behind the Lens: Introducing God’s Own Country cinematographer Joshua James Richards
Cinematographer Joshua James Richards talks adapting to a director’s vision and creating a sense of place in God’s Own Country and The Rider. This is an excerpt from our ebook God’s Own Country: A Special Issue, which is available for purchase here.