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Book Previews

Thelma, Joachim Trier, Eili Harboe

Alex Heeney / November 21, 2017

Director Joachim Trier on his ‘gaze from another place’ in Thelma

Director Joachim Trier on Thelma, the dynamic between the subjective and objective gaze and portraying a dysfunctional father-daughter relationship.

Thelma, Eskil Vogt, Joachim Trier, Eili Harboe

Alex Heeney / November 20, 2017

Co-writer Eskil Vogt on Thelma: ‘We’re not happy with movies just being naturalistic. It has to explore cinematic form.’

Co-writer Eskil Vogt discusses approaching genre cinema for the first time, depicting characters’ interiority on screen, and his collaboration with director Joachim Trier.

Revenge, Coralie Fargeat, Matilda Anna Ingrid Lutz

Elena Lazic / November 6, 2017

‘She can be strong, even when she is wearing a bikini’: Director Coralie Fargeat and star Matilda Lutz discuss their feminist rape-revenge film Revenge

Director Coralie Fargeat and star Matilda Lutz discuss Revenge, the stigma around genre cinema, mixing humour and violence, and the way victims are still held responsible for being attacked. This is an excerpt from our forthcoming ebook on feminist horror beyond empowertainment. To read the entire article, get your copy of the book here.

Josh O'Connor, God's Own Country, Francis Lee

Alex Heeney / November 3, 2017

Bright Young Things: Josh O’Connor is ready to be vulnerable

We take an in-depth look at the career of rising star Josh O’Connor who plays Johnny Saxby in God’s Own Country, his performance in the film, and talk to the actor about both.

Francis Lee, God's Own Country

Alex Heeney / November 2, 2017

Director Francis Lee on the craft behind God’s Own Country

We interview director Francis Lee talks about the technical aspects of making his first feature, from sound to camera movement to editing.

God's Own Country, Joshua James Richards, Francis Lee, Josh O'Connor

Elena Lazic / November 1, 2017

Behind the Lens: Introducing God’s Own Country cinematographer Joshua James Richards

Cinematographer Joshua James Richards talks adapting to a director’s vision and creating a sense of place in God’s Own Country and The Rider. This is an excerpt from our ebook God’s Own Country: A Special Issue, which is available for purchase here.

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