The title of Maïwenn’s messy but compelling Mon Roi, is indicative of the film’s primary problem. When divorcee and criminal lawyer Tony (Emmanuel Bercot) asks her new beau, Georgio (Vincent Cassell), if he’s a jerk, he flirtatiously replies that he’s “The King of Jerks,” and as the film’s title indicates with affection, he becomes her king (of jerks).
Film Reviews
Here you will find every film review we've written. These include: festival films, new releases, and older films.
Cannes 2015 Review: Iranian film Nahid is a complex portrait of a woman trapped by the patriarchy
Panahandeh crafts a complex portrait of a thirty-year-old woman who became a mother too young and doesn’t quite know how to deal with it. She wants her son to have every opportunity, but her solution is to send him to an expensive private school, which she can’t afford
Remarkable Lamb marks Ethiopia’s Cannes debut
Yared Zeleke’s first film, Lamb, about a young boy forced to leave his hometown with only his pet lamb for comfort, was the first Ethiopian film to screen in the Cannes Un Certain Regard competition.
Kore-eda’s Our Little Sister is heartbreaking
Our Little Sister is a quiet, sweet, and heartbreaking film about three grown, co-habitating sisters, who meet their younger fourteen-year-old sister after their absent father dies, and decide to take her in as one of their own.
Hong Sang-soo’s Hill of Freedom is a melancholic delight
Hong Sang-soo plays with time and memory in Hill of Freedom, his latest melancholic delight.
Far From the Madding Crowd is a modern romance
Thomas Vinterberg’s film adaptation of Far From The Madding Crowd opens on a long shot of Bathsheba Everdene (a terrific Carey Mulligan) opening the door to a dark barn. Illuminated by just a glimmer of light, she’s dressed sensibly in a leather coat and trousers, readying her horse. In voiceover, she explains that some say she’s […]