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Essays

Arabian Nights, Miguel Gomes

Brandon Nowalk / March 10, 2016

Arabian Nights is an intoxicating, maddening mosaic of recession-era Portugal

Arabian Nights is the blind men’s elephant: miniseries and short story cycle, documentary and fantasy, proletarian and prohibitive. It’s an enormous six-hour movie split into three volumes, made up mostly of separate smaller stories.

Fatima

Gillie Collins / March 9, 2016

Fatima is a tender look at making a home in a new land

Fatima meditates on language barriers and what it takes to become French.

Rendez-Vous with French Cinema

Alex Heeney / March 3, 2016

Rendez-Vous with French Cinema preview

Running from March 3 to 13, the NYC festival gives viewers a sneak peek at this year’s most exciting French titles.

Sandy Powell

Sam Woolf / February 23, 2016

Sandy Powell’s costumes in Carol tell what words can’t

Costume designer Sandy Powell showed how two starkly different women refashion one another into a perfect match. 

Mustang

Gillie Collins / February 22, 2016

The politics of sisterhood in Mustang

Mustang, Deniz Gamze Ergüven’s directorial debut, charts five sisters’ resistance, as they both grow into and reject a narrow notion of womanhood. But Ergüven privileges perspectives that a Western audience can understand and approve of, making the story too familiar and incomplete.

Canada's Top Ten, 2016 AFI Fest

Alex Heeney / February 19, 2016

Canada’s Top Ten has strong films but lacks imagination

Canada’s Top Ten of 2015 represents a very strong slate of films. Yet it doesn’t quite reflect the diversity and originality of Canadian films last year.

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