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Essays

The header image of this essay shows a still from Oslo, August 31st next to a still of characters from Louder Than Bombs, behind a streak of purple bearing the white text: "Oslo, August 31st at 10".

Alex Heeney / August 30, 2021

There is a world elsewhere: Exile in Joachim Trier’s Oslo, August 31st and Louder Than Bombs

In this essay, we discuss exile in two Joachim Trier films: Oslo, August 31st’s clear cut, fatalistic story of exile, and how that sense of estrangement in Louder than Bombs is much more complex and optimistic.

A collage of images of the best documentaries of the 21st century, featuring text that reads: '50 documentaries'.

Seventh Row Editors / August 27, 2021

The fifty best documentaries of the 21st century

Seventh Row’s editors pick the best documentaries of the 21st century, from Pina to The Look of Silence to Grizzly Man.

Seventh Row Editors / August 17, 2021

Beyond talking heads: The films that expanded our understanding of ‘documentary’

Fifteen critics and filmmakers weigh in on the films that changed how they thought about documentary in this creative nonfiction survey.

Seventh Row Editors / August 16, 2021

What do you call your nonfiction film?

Six filmmakers, from Penny Lane to Kirsten Johnson, weigh in on the question, what do you call your nonfiction film?

A young woman sits on a boat in this still from CODA. The text on the image reads, 'Review'.

Alex Heeney / August 13, 2021

Sundance Review: CODA is a crowdpleaser with nuanced ideas about disability

Siân Heder’s crowd-pleaser, CODA, is a film that, in any other year, would have the Eccles Theatre on its feet with rapturous applause.

Alex Heeney / July 23, 2021

Reviews: The Hidden Life of Trees and The Loneliest Whale

Two straightforward nature docs drop you into worlds unseen: travel to forests around the world in The Hidden Life of Trees and underwater in the Pacific Ocean in The Loneliest Whale: The Search for 52.

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