Ken Loach’s Palme D’Or Winner I, Daniel Blake is a bracing call-to-action against bureaucratic failures to treat citizens like people. But it falters by giving us a character who is uncontroversially the Deserving Poor without challenging this as a concept.
Essays
Davies’ adaptation of The Deep Blue Sea is a memory film with an unreliable narrator
In Terence Davies’ screen adaptation of Rattigan’s The Deep Blue Sea, Davies plunges us into Hester’s memories, nudging us to accept her interpretation of events while providing the necessary evidence to doubt her perspective. This is the sixth and final feature in our Special Issue on Davies’ A Quiet Passion, which you can read in full […]
A tyrant and control freak: the patriarch in Davies’ Distant Voices, Still Lives prefigures the father figures in his later films
In Terence Davies’ films, fathers tend to control the domestic sphere: the abusive patriarch in Distant Voices, Still Lives, based on Davies’ own father, prefigures those of Davies’ later literary adaptations. Editor’s note: This is the fifth feature in our Special Issue on Terence Davies’ A Quiet Passion, which can be read in full here.
‘You do not demonstrate, you reveal’: Cynthia Nixon is exquisite in A Quiet Passion
As Emily Dickinson in A Quiet Passion, Cynthia Nixon reveals her depth of range and skill as a performer — emotionally, physically, and technically. This is the third feature in our Special Issue on A Quiet Passion, which can be read in full here.
‘The costumes have got to look as though they wear them’: Terence Davies talks A Quiet Passion
Writer-director Terence Davies discusses his Emily Dickinson biopic, A Quiet Passion, and how he developed the film’s aesthetic. This is the second feature in our Special Issue on A Quiet Passion, which you can read in full here.
Review: A Quiet Passion charts Emily Dickinson’s subtle rebellion
In A Quiet Passion, Terence Davies’ new biopic, Emily Dickinson, the famously reclusive poet, comes to life as an understated renegade, who deserts gendered orthodoxies to pursue her art. This is the first article in our Special Issue on A Quiet Passion.