For our special TIFF17 coverage of On Chesil Beach, we interview Dominic Cooke about the value of rehearsing actors for film and minimizing cuts. Read part 2 of this interview here. Read the rest of our On Chesil Beach Special Issue here.
Film Festivals
Interview: Chloé Zhao on The Rider, her feminist film about masculinity
Chloé Zhao discusses The Rider and making a feminist film on masculinity. Read our interview with cinematographer Joshua James Richards on shooting the film. Winner of the top prize at Directors’ Fortnight, Chloé Zhao’s The Rider follows a young cowboy, Brady Blackburn (Brady Jandreau), forced to reconsider his dreams and priorities after a rodeo incident […]
‘You only address colonialism with solemn seriousness if you don’t experience it daily’: Lucrecia Martel on Zama
Argentine director Lucrecia Martel discusses Zama, colonialism, violent masculinity, and how absurdist humour is a potent way to criticize both.
Director Warwick Thornton on his TIFF Platform Prize Winner Sweet Country
Indigenous Australian director Warwick Thornton talks being his own cinematographer on Sweet Country, shooting on Alexa and UV, and developing the film’s aesthetic.
Review: Indian Horse and the limits of allyship in adaptation
Based on Ojibwe author Richard Wagamese’s novel set in the 1960s, Stephen Campanelli’s Indian Horse uses the hook of Canada’s national sport — hockey — to grapple with Canada’s darkest policy: the Indian residential school system. Read the rest of our TIFF coverage here.
Director Ann Shin on making My Enemy, My Brother
Director Ann Shin and producer Hannah Donegan discuss the making of My Enemy, My Brother, Shin’s poignant documentary about two men who fought on opposite sides of the Gulf War.