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Film Festivals

Jeffrey, TIFF Dropbox Award

Elena Lazic / September 27, 2016

Yanillys Perez’ TIFF16 Dropbox Award Winner Jeffrey

Yanillys Perez’ feature debut, which won the TIFF 16 Dropbox Award for the Discovery Section, is a work of creative nonfiction. Perez mixes magic realist voiceover with a social realist approach to its optimistic, clear-eyed, and poetic subject: Jeffrey, a charming and driven 12-year-old boy who dreams of becoming a famous reggaeton & dembow singer.

Closet Monster, Stephen Dunn

Alex Heeney / September 23, 2016

Director Stephen Dunn talks Closet Monster and internalized homophobia

Editor-in-Chief Alex Heeney talked to Stephen Dunn about his directorial debut Closet Monster: why he wanted to tell this story, its magical realist elements, and how he got us inside Oscar’s head.

All Governments Lie, Democracy Now

Laura Anne Harris / September 21, 2016

TIFF16 Interview: Producer from Democracy Now! talks All Governments Lie

Laura Anne Harris talks to Nermeen Shaikh, a producer of All Governments Lie: Truth, Deception and the Spirit of I. F. Stone from the independent news organization Democracy Now, about the influence of I. F. Stone on Amy Goodman and Democracy Now.

Ciel Flamand, Peter Monsaert

Laura Anne Harris / September 20, 2016

TIFF16 Interview: Director Peter Monsaert and his stars talk Le Ciel Flamand

In Conversation with Director Peter Monsaert, and actors Sara Vertongen and Wim Willaert from Le Ciel Flamand.

City of Tiny Lights, Riz Ahmed

Alex Heeney / September 15, 2016

TIFF16 Review: Riz Ahmed stars in City of Tiny Lights

City of Tiny Lights, a modern noir story set in London, is a great showcase for Riz Ahmed’s talents. However, its ambition of addressing the immigrant experience and islamophobia prove more admirable than the execution.

Daguerrotype, Kiyoshi Kurosawa

Mary Angela Rowe / September 15, 2016

TIFF16 Review: Killed into art? Kiyoshi Kurosawa’s Daguerrotype

Kioyshi Kurosawa’s latest eerie offering, Daguerrotype, is a well-crafted aesthetic effort with little actual resonance screening in the TIFF Platform competition.

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