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In Her Chair

Female-identifying directors reflect on their experiences making films and leading creative teams.

Catalina Mesa, Infinite Flight of Days, Vancouver International Film Festival

Laura Anne Harris / May 13, 2016

HotDocs Interview: Director Catalina Mesa talks The Infinite Flight of Days

Catalina Mesa, the first female filmmaker from Colombia at HotDocs discusses her directorial debut, The Infinite Flight of Days. The film is a charming, energetic, and hilarious documentary about the lives of women in Jerico, a small town in Colombia.

Check It, Toby Oppenheimer, Dana Flor

Laura Anne Harris / May 4, 2016

HotDocs 2016: Conversations with the creative team behind essential doc Check It

Check It follows several members of the inspiring gay and transgender teen gang Check It through their struggles on the harsh streets of Washington, D.C.

H., Rania Attieh, Daniel Garcia

Alex Heeney / April 2, 2016

H. directors Rania Attieh and Daniel Garcia discuss their sci-fi film for the digital-age

Structured almost like a classical, Greek tragedy, H. explores mass hysteria. Co-directors Daniel Garcia and Rania Attieh discuss their filmmaking process.

Julie Delpy, Lolo

Gillie Collins / March 14, 2016

Julie Delpy talks colour and comedy in Lolo

Writer-Director-Actress Julie Delpy discusses her consummately entertaining new movie, Lolo, which is chock full of the same joie de vivre Delpy channels in real life.

Before the Streets, Leriche, Avant Les Rues

Elena Lazic / February 24, 2016

Interview: Chloé Leriche on Before the Streets and indigenous cinema

Canadian director Chloé Leriche discusses bringing the Atikamekw language and community to the big screen for the first time at this year’s Berlinale.

24 Weeks

Elena Lazic / February 20, 2016

Anne Zohra Berrached on 24 Weeks at Berlinale

Director Anne Zohra Berrached discusses 24 Weeks — her Berlinale Competition film about a couple who must decide whether to have a late abortion when they discover their child will have Down Syndrome — about the challenges of the subject matter and why she wanted non-professional actors for some of the parts.

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