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In Her Chair

Female-identifying directors reflect on their experiences making films and leading creative teams.

Eliza Hittman, Beach Rats, Harris Dickinson

Alex Heeney / September 21, 2017

Writer-director Eliza Hittman on Beach Rats and sculptural male bodies

Writer-director Eliza Hittman discusses the genesis of Beach Rats, working with actors, and the sculptural elements of the male body. Listen to our podcast on Eliza Hittman’s followup, Never Rarely Sometimes Always.

Montana, Limor Shmila

Elena Lazic / September 20, 2017

‘I work almost exclusively with women… theirs are the interesting voices’: Limor Shmila on her debut feature Montana

Director Limor Shmila and lead actresses Noa Biron and Netta Shpigelman discuss Montana, which premiered in the Discovery Programme at TIFF.

Ava, Sadaf Faroughi

Elena Lazic / September 18, 2017

TIFF17 Interview: Sadaf Foroughi on her feminist coming-of-ager Ava

Iranian-Canadian filmmaker Sadaf Foroughi discusses her Discovery Peogramme FIPRESCI winner Ava and making a feminist film.

The Burden, Niki Lindroth von Bahr

Alex Heeney / September 10, 2017

Niki Lindroth von Bahr on The Burden and tap dancing mice

Filmmaker, costume designer, and artist Niki Lindroth von Bahr discusses the making of her short film The Burden, a stop-motion musical with animal puppets who sing about existential despair. The Burden is available to stream on The Criterion Channel and Hoopla in Canada and the US. You can rent or purchase the film on Vimeo […]

Amanda Kernell, Sami Blood

Alex Heeney / May 31, 2017

Writer-director Amanda Kernell talks Sami Blood

Amanda Kernell discusses her exquisite feature debut, “a coming-of-age story, with joik and blood, about a girl with a knife,” and how it illuminates South Sami history.

Marcela Said, Los Perros

Elena Lazic / May 25, 2017

Marcela Said on Los Perros: ‘As women, we take risks that men do not take.’

Presented in Critics’ Week, Chilean director Marcela Said’s Los Perros is part of a welcome resurgence of political films at the Cannes Film Festival. Free-spirited, sexually liberated Mariana develops a relationship with her riding teacher Juan. When she learns that he is being prosecuted for crimes committed as a serviceman under Pinochet, she recklessly seeks […]

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