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Must Reads

Must reads are the best of the best articles at The Seventh Row. These include reviews, interviews, and essays. If you're new to the site, this is a good place to start to get a sense of what kinds of stories we write. Here is the best of our multidisciplinary approach to reviewing films, our most illuminating and original interviews, and our best essays.

Rachel Morrison, Mudbound

Lena Wilson / May 9, 2018

Rachel Morrison’s deeply empathetic cinematography

In Fruitvale Station, Cake, Dope, and Mudbound, Rachel Morrison’s cinematography immerses viewers in marginalized characters’ points of view.

Chloé Zhao, The Rider

Elena Lazic / April 27, 2018

Interview: Chloé Zhao on The Rider, her feminist film about masculinity

Chloé Zhao discusses The Rider and making a feminist film on masculinity. Read our interview with cinematographer Joshua James Richards on shooting the film. Winner of the top prize at Directors’ Fortnight, Chloé Zhao’s The Rider follows a young cowboy, Brady Blackburn (Brady Jandreau), forced to reconsider his dreams and priorities after a rodeo incident […]

Elena Lazic / April 24, 2018

‘You only address colonialism with solemn seriousness if you don’t experience it daily’: Lucrecia Martel on Zama

Argentine director Lucrecia Martel discusses Zama, colonialism, violent masculinity, and how absurdist humour is a potent way to criticize both.

Warwick Thornton, Sweet Country

Alex Heeney / April 14, 2018

Director Warwick Thornton on his TIFF Platform Prize Winner Sweet Country

Indigenous Australian director Warwick Thornton talks being his own cinematographer on Sweet Country, shooting on Alexa and UV, and developing the film’s aesthetic.

Alex Heeney / February 23, 2018

Sally Potter on The Party‘s confined, dynamic spaces

Sally Potter discusses getting us into the characters’ heads, the importance of set design for dramatic tension, and getting emotionally charged yet very funny performances from her actors. Read our review of the film here.

Call Me by Your Name, Armie Hammer, Timothée Chalamet, Luca Guadagnino

Brandon Nowalk / December 14, 2017

Keeping a straight face: How CMBYN‘s queer characters get misread

Call Me by Your Name is the latest in a long line of same-sex romances to have its queer characters diminished as empty vessels, yet this couldn’t be further from the truth. This essay is featured in the ebook Call Me by Your Name: A Special Issue which is available for purchase here.

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