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Seventh Row Podcasts

We run two podcasts at Seventh Row:

  1. Our flagship Seventh Row podcast, featuring in-depth discussions on individual films that we've done Special Issues on or that we think deserve special attention. Subscribe on iTunes, SoundCloud, Stitcher, or TuneIn.
  2. Our 21st Folio podcast, a podcast about modern Shakespeare productions of stage and screen. Subscribe on iTunes, SoundCloud, Stitcher, or TuneIn.

admin / December 3, 2024

Ep. 149 The key to great character dramas + The Girl with the Needle (feat. Magnus von Horn)

In this episode of the podcast, Alex
Heeney discusses one key element of character dramas (world-building) and how The Girl With the Needle exemplifies this, then talks to director Magnus von Horn about it.

Alex Heeney / November 25, 2024

Ep. 148 How I almost missed the best films of the 2010s..and what I learned

In this episode of the podcast, Alex
discusses how she almost missed seeing the best movie of the 2010s and what she learned about making space for exploration in our movie-watching diet.

Seventh Row Editors / November 22, 2024

Ep. 147 Why is it so hard to see the new Cillian Murphy movie?

In this episode of the podcast, Alex
discusses why the excellent new Cillian Murphy movie, Small Things Like These, is so hard to see and yet very easy to see compared to other films of its ilk.

Seventh Row Editors / November 13, 2024

Ep. 146 Tim Mielants’ Small Things Like These

In this episode of the podcast, Alex
Heeney reviews and discuses the Irish independent film Small Things Like These, its cultural context, and why it’s worth seeing.

Seventh Row Editors / November 8, 2024

Ep. 145: From the Archives: Steve McQueen’s Small Axe

To cover Steve McQueen’s ambitious Small Axe series, we have assembled one of our most ambitious episodes of the year. We discuss each film (or episode?) of McQueen’s series.

Seventh Row Editors / October 30, 2024

TIFF 2024 Ep. 10: Marianne Elliott on directing for stage vs. screen and The Salt Path

Alex interviews legendary theatre director Marianne Elliott about directing for stage vs. screen and her first film, The Salt Path.

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