Simon Lavoie’s gorgeous adaptation of the popular Québécois novel, The Little Girl Who Was Too Fond of Matches critiques, subverts, and reinvents the Quebec horror film.
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‘What I really wanted to know was: ‘Why did we stay?’’: Mila Turajlic on the trauma of ex-Yugoslavia in The Other Side of Everything
In Mila Turajlic’s doc The Other Side of Everything, a Serbian apartment divided under communism is a symbol of a difficult past lingering in the present.
TIFF17 Interview: Sophie Fiennes on Grace Jones: Bloodlight and Bami and performativity
‘Being a bitch is not necessarily what you’re doing, but how you’re perceived.’ – Director Sophie Fiennes on making Grace Jones: Bloodlight and Bami
Erika Cohn talks doc The Judge on the first female Shari’a judge in the Middle East
Documentarian Erika Cohn discusses making a film about Judge Kholoud Al-Faqih, encouraging dialogue, telling a character-driven story, and questioning cliches.
‘In my country, realism is surrealism!’: Kamila Andini on her dreamlike film The Seen and Unseen
Indonesian director Kamila Andini discusses her abstract and fantastic sophomore feature The Seen and Unseen, holism, and the thrill of the unknown.
Writer-director Eliza Hittman on Beach Rats and sculptural male bodies
Writer-director Eliza Hittman discusses the genesis of Beach Rats, working with actors, and the sculptural elements of the male body. Listen to our podcast on Eliza Hittman’s followup, Never Rarely Sometimes Always.