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Close-Knit

Elena Lazic / April 11, 2017

Review: Close-Knit marks an important milestone for Japanese LGBTQ cinema

Naoko Ogigami’s Close-Knit is a charming, if disappointingly conservative, family drama about a girl who finds herself being raised by a transgender woman.

Their Finest, Lone Scherfig

Alex Heeney / April 7, 2017

Interview: Director Lone Scherfig discusses directing actors in Their Finest

Director Lone Scherfig discusses the making of her World War II film about filmmaking, Their Finest and what she’s learned from the actors she’s worked with.

I Called Him Morgan, Lee Morgan, Helen Morgan, Kasper Collin.

Alex Heeney / April 7, 2017

Interview: Director Kasper Collin on I Called Him Morgan and paying tribute to a jazz great

Director Kasper Collin on creating a duet between Lee Morgan’s trumpet and his wife Helen Morgan’s voice in his new documentary I Called Him Morgan.

All These Sleepless Nights, Michał Marczak, Sleepless Nights

Noemi Berkowitz / April 3, 2017

All These Sleepless Nights is a mesmerizing look at youth culture in post-communist Poland

All These Sleepless Nights explores loneliness and liberation in a Poland finally free after decades of occupation and war.

Summer Hours

Aaron Hammond / March 31, 2017

Ghosts, grief, and objects left behind in Assayas’ Summer Hours and Personal Shopper

Olivier Assayas’ films Summer Hours and Personal Shopper are united by their portrayal of the recently bereaved confronting what the dead did, or did not, leave behind.

Personal Shopper text messages, Personal Shopper eroticism, Personal Shopper horror

Mike Thorn / March 30, 2017

‘No desire if it’s not forbidden’: Dread, eroticism, and text messaging in Personal Shopper

By using text messaging as a source of terror that morphs into eroticism, Personal Shopper acknowledges and subverts horror traditions.

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