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Aquarius, Kleber Mendonça Filho

Alex Heeney / October 21, 2016

Director Kleber Mendonça Filho on the sounds of Aquarius

Brazilian writer-director Kleber Mendonça Filho discusses his new film Aquarius, creating its complex sound design, choosing the soundtrack, and Brazilian architecture.

13th, Ava DuVernay

Alex Heeney / October 20, 2016

Ava DuVernay’s 13th is an innovative spin on the talking head doc

Employing key but subtle twists on the convention talking head documentary, Ava DuVernay’s 13th explains how slavery in the U.S. was never really abolished without ever resorting to preaching.

Goat, Ben Schnetzer

Alex Heeney / October 11, 2016

Andrew Neel’s Goat lacks psychological insight

Andrew Neel’s Goat is an excellent showcase for up-and-coming star Ben Schnetzer, whose strong performance hints at the better film it could have been had Neel been less focussed on brutality and more focussed on psychological insight.

Girl Asleep, Rosemary Myers

Gillie Collins / October 10, 2016

From stage to screen: Director Rosemary Myers on her new film Girl Asleep

Gillie Collins talked to director Rosemary Myers about adapting her Windmill theatre play Girl Asleep for the film. Collins also explores the many exaggerated, theatrical elements that define the film.

Una, Blackbird

Alex Heeney / October 6, 2016

Una is a psychologically complex screen adaptation of Blackbird

Renowned theatre director Benedict Andrews makes a remarkable feature debut with Una, a screen adaptation of David Harrower’s award-winning play Blackbird. Get our two-part interview with Benedict Andrews. Listen to our podcast on films depicting childhood sexual assault, including Una and Slalom.

Ashley McKenzie, Werewolf

Alex Heeney / October 5, 2016

Writer-director Ashley McKenzie talks Werewolf

Cape Breton writer-director Ashley McKenzie discusses her feature debut, Werewolf, “lawnmower crackheads”, working with non-actors, and being part of the TIFF family.

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