Yorgos Lanthimos discusses his approach to shooting The Lobster, designing the sound, and blocking the action. Actress Ariane Labed explains how she prepared for the part and how training as a dancer influenced her performance. We named Rachel Weisz’s performance in the film one of the best of 2016.
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Whit Stillman on cruelty and wit in Love & Friendship
Although Love & Friendship benefits from Austen’s sharp satire and clever observations, this is still very much a Stillman film, reveling in the humour of what he calls, “upper class twits.” Stillman discusses setting the tone, the importance of words, and the music in the film.
Matthias Schoenaerts and the art of not speaking
Though he’s made films in English, French, and Dutch, Matthias Schoenaerts tends to communicate his characters’ inner lives through physicality rather than dialogue. This is the 4th feature in our special A Bigger Splash week.
Personal Affairs is a sweet Palestinian comedy about women refusing to be taken for granted
Personal Affairs offers a gendered and decidedly feminist consideration of the way people can sometimes forget or refuse to treat their loved ones with the respect they deserve.
The queer cult stardom of Tilda Swinton
Explicitly playing with gender and gender performance has been foundational to Swinton’s career and identity as a performer. Swinton’s queer identity emerges from a person who is both presumptively heterosexual and who has largely chosen presumptively heterosexual roles. So what makes her a queer cult figure? This is the 3rd feature in our special A Bigger Splash week.
Not a girl, not (yet) a woman: Dakota Johnson and Hollywood femininity
At its best, Dakota Johnson’s acting reveals the restrictiveness of labels like “girlhood” and “womanhood”. Dave Crewe examines how she subverts conventional female stereotypes. This is the second essay in our special A Bigger Splash week.