• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • Shop
  • Join Reel Ruminators

All Articles

Unlocking the Cage

Alex Heeney / January 22, 2016

Sloan Prize contenders: Science at Sundance 2016

We take a look at the films in contention for the Alfred P. Sloan Prize, the jurors, and make some predictions.

45 Years, Music in film 2015

Alex Heeney / January 22, 2016

45 Years of marriage on thin ice

In 45 Years, Andrew Haigh uses sound and very precise framing to develop a complex, cinematic story of a long-term relationship. Read our book about Andrew Haigh’s Lean on Pete.

45 Years, Andrew Haigh

Alex Heeney / January 21, 2016

Director Andrew Haigh talks 45 Years

Andrew Haigh discusses shooting long takes, keeping us in Kate’s head space, and editing the film before the editing room.

2015 films according to Shakespeare

Alex Heeney / January 12, 2016

2015 films according to Shakespeare

Love Shakespeare? Listen to our Shakespeare podcast, 21st Folio. Love these 2015 films? Find out what we do at Seventh Row to cover films like these. Last night, I posed a little challenge on Twitter, to pair Shakespeare quotes with 2015 films: Challenge: summarize this year's awards hopeful films with a Shakespeare quote. You're disqualified […]

Girlhood, Music in film 2015

Alex Heeney / December 29, 2015

Best music in film of 2015

Kicking off our series of the best music in film in 2015, here’s our list of the best use of music — be it scores or diegetic songs — in film. All of these musical choices are crucial to the film’s narrative, often forming a key emotional moment.

Kurzel Macbeth

Alex Heeney / December 25, 2015

Kurzel’s Macbeth emphasizes tone over text

Kurzel takes his cues from the text, but he expresses his ideas about the text through images and sounds — the whistling wind, the clashing swords, and the ghostly hooded figures — rather than through the dialogue. The verse, in Kurzel’s hands, is barely even identifiable as poetry. But what is Shakespeare without the unforgettable language?

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 206
  • Page 207
  • Page 208
  • Page 209
  • Page 210
  • Interim pages omitted …
  • Page 243
  • Go to Next Page »

Footer

Support Seventh Row

  • Film Adventurer Membership
  • Cinephile Membership
  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions
  • Workshops & Masterclasses
  • Shop

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2025 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account