Kurzel takes his cues from the text, but he expresses his ideas about the text through images and sounds — the whistling wind, the clashing swords, and the ghostly hooded figures — rather than through the dialogue. The verse, in Kurzel’s hands, is barely even identifiable as poetry. But what is Shakespeare without the unforgettable language?
All Articles
Henry V at the RSC is more Hal than Harry
Shakespeare’s Henry IV Parts 1 and 2 chronicle the growth of feckless frat boy Hal into sober ruler-in-waiting Harry. Henry V should be the culmination of that transformation: the growth of a young King into a leader. Yet the Royal Shakespeare Company’s production of Henry V feels more like Henry IV Part 3. Though this entertaining production is well-acted and effectively staged, Henry himself still acts like a prince and not a king. This may be Director Gregory Doran’s aim: showcase Harry’s (Alex Hassell) ongoing maturation by starting him off as green and unimposing. But Shakespeare’s original text establishes Henry as a man who wields authority: he is a “dread sovereign,” “terrible in constant resolution.”
Anne Émond talks family intimacy in Our Loved Ones
Québécois filmmaker Anne Émond talks about depicting suicide, family intimacy, and her hometown in her moving new film.
Wiseman talks making In Jackson Heights
Master documentarian Frederick Wiseman discusses his editing process and how this informs how he shot In Jackson Heights.
Theeb is a stunning adventure story
Jordan’s 2015 Oscar Submission is a compelling, World War I story about a wily boy and his brother.
Review: Songs My Brothers Taught Me
Chloë Zhao’s directorial debut “Songs My Brothers Taught Me” is a quiet, sensitive indigenous coming-of-age story set as high school graduation nears on the Pine Ridge Reserve.