Joachim Trier’s brilliant and moving Oslo, August 31st is as much about its protagonist as it is about his generation and his city. Listen to our podcast on Oslo, August 31st here.
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Review: What We Do in the Shadows is a hilarious vampire mockumentary
“Vampires have had a really bad rep. We’re not these mopey old creatures who live in castles — well, most of us are, a lot of us are — but there are also those of us who like to flat together in really small countries like New Zealand.” With these words, the 18th century dandy […]
SFFS Artist-in-Residence Sally El Hosaini on writing and directing My Brother the Devil
Sally El Hosaini’s directorial debut, My Brother the Devil, is a touching and sensitive story of two Arab brothers in Hackney, London. During her sojourn in San Francisco as the San Francisco Film Society’s Artist-in-Residence, I sat down with El Hosaini to discuss her writing process, working with non-actors, her shoot, and her approach to the film’s aesthetic. […]
Don’t be fooled by the title, Fifty Shades of Grey is Anastasia’s film
Fifty Shades of Grey is far more interested in Anastasia’s thoughts and conscious decisions than in giving Christian even a semblance of a personality.
Sundance Review: Take Me to the River is creepy, unsettling, and a tad thin
Perhaps the most polarizing film at this year’s Sundance Film Festival, writer-director Matt Sobel’s Take Me To The River has left some critics grossed out and others fascinated with this evocative, probing mood piece that winds up a bit thin.
Best of Sundance NEXT 2015: Poekel’s bittersweet and quiet Christmas Again
Christmas, Again is a quiet, subtle film from writer-director Charles Poekel, about a lonely man, aptly named Noel (Kentucker Audley), who spends the week before Christmas selling and delivering Christmas trees.