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Far From the Madding Crowd, Matthias Schoenaerts

Alex Heeney / May 1, 2015

Far From the Madding Crowd is a modern romance

Thomas Vinterberg’s film adaptation of Far From The Madding Crowd opens on a long shot of Bathsheba Everdene (a terrific Carey Mulligan) opening the door to a dark barn. Illuminated by just a glimmer of light, she’s dressed sensibly in a leather coat and trousers, readying her horse. In voiceover, she explains that some say she’s […]

Iris, Best of Enemies

Alex Heeney / April 29, 2015

Docs Iris and Best of Enemies delight and educate

Opening weekend of the San Francisco International Film Festival featured a wide range of documentaries, from the delightful and impressive Iris to the educational if somewhat disappointing Best of Enemies. Here’s a look at these two films. Iris **** Master documentarian Albert Maysle’s final film is an introduction to the lively, fashionable, and fabulous 93-year-old New York […]

Alex Heeney / April 28, 2015

Weekend 1 at SFIFF: Mr. Holmes, Entertainment, and Sand Dollars

Set in the Dominican Republic, Sand Dollars follows a local twenty-something Noeli (Yanet Mojica) who makes her living by sleeping with the rich European tourists.

Felix and Meira, Maxime Giroux, Canadian Film, Hasidic Jewish Film

Alex Heeney / April 24, 2015

Maxime Giroux on his wonderful Hasidic Jew romance Felix and Meira

Maxime Giroux discusses his new film about a Hasidic Jewish woman in Montreal who is thinking about leaving her community. It won Best Canadian Film at TIFF 2014.

Alex Heeney / April 19, 2015

Women shine behind the camera at SFIFF58

One of the great pleasures of attending the San Francisco International Film Festival is the ability to binge on films by female auteurs, which are much harder to come by throughout the year. This year, you can catch Helen Hunt’s sophomore feature, Ride, a follow-up to her wonderful debut “Then She Found Me.” It’s also […]

Ex Machina

Alex Heeney / April 12, 2015

Ex Machina is yet another film about boys and their toys

Ex Machina isn’t just misogynistic; it gets the science wrong, too.

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