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National Gallery

Alex Heeney / December 15, 2014

Frederick Wiseman on his new film National Gallery

His latest film, “National Gallery,” which premiered in the Director’s Fortnight at the Cannes Film Festival in May, takes a look at the inner-workings of London’s renowned art museum. The film is a fascinating look at one of the greatest art museums in the world, its role in the community, and how the paintings it houses continue to speak to us.

Imitation Game

Alex Heeney / December 14, 2014

The Imitation Game: cracking the Nazi code and the human one

Benedict Cumberbatch stars as Alan Turing in The Imitation Game, an engaging but often silly look at the team who cracked the Enigma code.

Alex Heeney / December 12, 2014

‘Top Five’: Chris Rock aims higher than he hits in this charming but crass comedy

“It’s always good to make sure you’re never too good at one thing at a time,” mumbles Andre Allen (Chris Rock) to Chelsea Brown (Rosario Dawson), the New York Times reporter profiling him, upon learning that she dabbles in poetry, photography, and music. And yet, it could just as easily be applied to “Top Five,” […]

Alex Heeney / November 28, 2014

‘Foxcatcher’ wrestles with entitlement and male bonding

John du Pont (Steve Carrell with a prosthetic nose) was supposed to ride horses, a regal sport for a regal family — America’s richest dynasty. But he defied his overbearing mother’s (Vanessa Redgrave) wishes, declaring, “horses are stupid!” When we first hear this in Bennett Miller’s new film “Foxcatcher,” it’s not a seven-year-old du Pont […]

Mockingjay Part 1

Alex Heeney / November 21, 2014

Mockingjay Part 1: too many hovercrafts, not enough Finnick

By chasing after a PG13 rating, Mockingjay Part 1 has lost much of the moral ambiguity that made the books so interesting.

Beyond the Lights

Alex Heeney / November 14, 2014

‘Beyond The Lights’: Gina Prince-Bythewood gets romance right

Prince-Blythewood understands that romance is all about the connection forged between two people, so she wisely shoots the majority of Kaz and Noni’s scenes together in two-shots. Whether it’s sitting on the couch of her home, listening to her hit as she tries to turn it off in embarrassment, or pouring over her box of lyrics on the floor of her bedroom, or sitting in his car at the airport eating fried chicken. These are two people sharing time and space, and we’re always watching what’s unfolding between them, not just how things are for each of them separately.

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