Lionel Baier’s biting yet heartfelt comedy Continental Drift tackles the migrant crisis and the consequences of personal failures of empathy.
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Women at Cannes Ep. 4: Naomi Kawase at Cannes
On the podcast, we discuss the great Japanese filmmaker Naomi Kawase, the darling of Cannes, and why she’s still so under-appreciated.
Cannes: Marie Kreutzer’s film Corsage finds the Empress in an existential crisis
Marie Kreutzer’s Corsage, which premiered in the Un Certain Regard sidebar at the Cannes Film Festival, reframes the story of Empress Elisabeth of Australia (Sissi) as one of a woman trying to live up to impossible beauty standards in a patriarchal world.
Women at Cannes Ep. 3: Céline Sciamma at Cannes
On today’s episode, we discuss the incredible Céline Sciamma, why she’s one of the best working filmmakers, and her relationship to the Cannes film festival.
Cannes: Erige Sehiri’s Under the Fig Trees is a thoughtful day Tunisian drama
Set over the course of one day, Erige Sehiri’s narrative feature debut Under the Fig Trees (Sous les figues) is a thoughtful ensemble film about the group of workers in a Tunisian fig orchard.
Cannes Review: Céline Devaux’s Everybody Loves Jeanne is a delightful anti-rom-com
Céline Devaux’s feature debut, Everybody Loves Jeanne, is wild, hilarious, sweet, and chaotic: a delightful anti-rom-com. It screened in the Cannes sidebar Semaine de la Critique.