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Alex Heeney / May 3, 2022

Palm Trees and Power Lines is a harrowing debut from Jamie Dack

Jamie Dack’s Palm Trees and Power Lines finds a film language to depict sexual assault and coercion in a way that keeps us emotionally involved with our heroine, without reveling in the horrors of the abuse

A still of filmmaker Zoe Leigh Hopkins, in front of an orange sphere, and in front of a still from her film, Run Woman Run.

Orla Smith / April 27, 2022

Zoe Leigh Hopkins tells an uplifting story about healing in Run Woman Run

Zoe Leigh Hopkins, director of Run Woman Run, talks about telling a different kind of coming-of-age-in-your-thirties story, filming in her home of Six Nations, and more.

Seventh Row Editors / April 27, 2022

Ep. 128: Petite Maman and Céline Sciamma’s temporary utopias

As authors of the ebook Portraits of resistance: The cinema of Céline Sciamma, the first book to be written about the French director, we had to talk about her new film, Petite Maman, on the podcast.

Seventh Row Editors / April 20, 2022

Bonus 28: Portraits of female artists: Part 2

We continue our ongoing conversation around films about female artists, and how the way these stories are being told is changing, including The Souvenir, Mothering Sunday, Bergman Island, and more.

Alex Heeney / April 15, 2022

Mutzenbacher and Man Caves explore men’s views on sex and love

In both Mutzenbacher and Man Caves, women directors interview a slew of men about their thoughts on sex and love.

Seventh Row Editors / April 13, 2022

Ep. 127: Fabian: Going to the Dogs and the rise of totalitarianism

We discuss the new German film Fabian: Going to the Dogs, directed by Dominik Graf, and how it portrays life in a totalitarian state.

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