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A mother and daughter stands side by side, arms around each others' shoulders, in Daughter of a Lost Bird.

Orla Smith / May 7, 2021

Daughter of a Lost Bird Review: An Indigenous woman reconnects with her birth mother

In Daughter of a Lost Bird, Brooke Swaney sensitively documents an Indigenous woman reconnecting with her birth mother and coming to terms with how colonial violence has shaped her life.

Alex Heeney / May 6, 2021

Charlène Favier on Slalom, her sensitive sexual abuse drama

Charlène Favier discusses her debut feature film, Slalom, which depicts childhood sexual abuse in the world of high level sports, a world Favier knows from personal experience.

A still from Everything in the End next to a headshot of Mylissa Fitzsimmons. The text on the image reads, 'Interview'.

Orla Smith / May 6, 2021

Everything in the End: Mylissa Fitzsimmons on making her no-budget feature debut

Mylissa Fitzsimmons tells us how she made her beautiful, apocalyptic debut feature, Everything in the End, in Iceland with four crew members and only $30,000.

Seventh Row Editors / May 5, 2021

Ep. 90: Jeanne Dielman and Les Rendez-vous d’Anna: A Chantal Akerman mother’s day

We celebrate Mother’s Day with queen of on-screen mothers, Chantal Akerman, and her films Jeanne Dielman and Les Rendez-vous d’Anna

A collage of various actors who feature in this piece on emerging actors.

Seventh Row Editors / May 4, 2021

Seventh Row’s fifty screen stars of tomorrow

Seventh Row’s editors pick the fifty most exciting emerging actors working today, from Paapa Essiedu to Josefine Frida.

Alex Heeney / April 29, 2021

A virtual 2021 San Francisco International Film Festival

The 2021 San Francisco International Film Festival went virtual and featured highlights such as the Dry, Skies of Lebanon, and In the Same Breath.

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