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Alex Heeney / April 12, 2021

‘A film about nothings that overwhelm you’: Kateryna Gornostai on Stop-Zemlia

Kateryna Gornostai discusses making an ensemble coming-of-age film where everything for the characters is happening for the first time.

Alex Heeney / April 9, 2021

Kelly McCormack dissects the commodification of women in Sugar Daddy

Screenwriter-actress Kelly McCormack on her new film, Sugar Daddy, tearing down the male gaze, and redefining femininity.

Seventh Row Editors / April 7, 2021

Ep. 86: Una & Slalom: Depictions of childhood sexual assault

On this episode we discuss how two films, Una and the recent Slalom, depict the trauma of childhood sexual assault. We discuss the films’ messy navigation of depiction and questions of empathy and catharsis.

Alex Heeney / April 6, 2021

Amanda Adolfsson on her family horror film Nelly Rapp: Monster Agent

Swedish director Amanda Adolfsson discusses Nelly Rapp: Monster Agent, working with child actors, and balancing horror and comedy.

Alex Heeney / April 6, 2021

Review: Maxine Peake shines in Fanny Lye Deliver’d (The Delivered)

Maxine Peake leads Thomas Clay’s refreshing genre film, Fanny Lye Deliver’d (The Delivered in the US), about a woman’s emancipation.

A still from Quo Vadis, Aida? behind a headshot of star Jasna Đuričić. The text on the image reads, 'Interview'.

Orla Smith / April 5, 2021

How Jasna Đuričić crafted her ferocious performance in Quo Vadis, Aida?

Jasna Đuričić discusses the elaborate rehearsal process that got her into character for Quo Vadis, Aida?.

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