…Mirabella-Davis’s film goes a step further to constantly dance the viewer in and out of reality, with Bennett’s generous performance offering a glimpse outside of this hermetically-sealed world, where her…
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Claire Foy in Unsane (Great horror performances #2)
…certain. She follows the nurse down the halls, but eventually stops, hoping that if she can stop the trajectory deeper into the hospital with her movements, she can stop what’s…
Kris Rey on her comedy of mid-30s malaise, I Used to Go Here
…of time that we kept referring back to during production. [click_to_tweet tweet=”‘LED lights, which are more modern lights, emit a blue hue. Incandescent lights, which are older, emit an orange…
‘I feel lucky shooting these films’: Chris Blauvelt on shooting for Kelly Reichardt – an ebook preview
…browns and pinks and yellows (and pale blue skies); Night Moves as rich, lush greens and blues; and Certain Women as having a more muted colour palette. How do you…
TIFF Review: Chloé Zhao’s Nomadland is romantic to a fault
…few months, as the opening title card informs us. Out of economic necessity, she’s taken to living out of a van, picking up blue collar work wherever she can; Amazon…
TIFF Review: The Best is Yet to Come is a freelancer’s wet dream
…voice calls across a crowded bar. Neil Young’s aphorism has travelled into legend via Dennis Hopper’s Out of the Blue (1980) and Kurt Cobain’s suicide note. In Beijing, 2003, its…