Bruno Dumont discusses the making of his Joan of Arc metal musical, Jeannette: The Childhood of Joan of Arc, achieving the film’s oddball comedy, and his aversion to cinematic moralising.
Adaptation
Review: Call Me by Your Name is a gorgeous, erotic tale of first love
In Call Me By Your Name, which premiered at Sundance, Guadagnino captures what first love feels like, in all its fumbling, awkward, confusing, terrifying, joyous glory. The film features breakout performances from Timothée Chalamat and Armie Hammer as the pair of young lovers.
Words are futile devices: On Timothée Chalamet in Call Me by Your Name
In Call Me by Your Name, Timothée Chalamet conveys how words aren’t enough for Elio. His body reveals the feelings he leaves unspoken. This is an excerpt from the ebook Call Me by Your Name: A Special Issue, which is available to purchase here. To read the complete article, get your copy of the ebook […]
Davies’ adaptation of The Deep Blue Sea is a memory film with an unreliable narrator
In Terence Davies’ screen adaptation of Rattigan’s The Deep Blue Sea, Davies plunges us into Hester’s memories, nudging us to accept her interpretation of events while providing the necessary evidence to doubt her perspective. This is the sixth and final feature in our Special Issue on Davies’ A Quiet Passion, which you can read in full […]
‘The costumes have got to look as though they wear them’: Terence Davies talks A Quiet Passion
Writer-director Terence Davies discusses his Emily Dickinson biopic, A Quiet Passion, and how he developed the film’s aesthetic. This is the second feature in our Special Issue on A Quiet Passion, which you can read in full here.
Director Susan Johnson talks Carrie Pilby
Director Susan Johnson discusses her female Holden Caulfield film, Carrie Pilby, one of the highlights of TIFF 2016, and working with her star Bel Powley.