Québécois filmmaker Philippe Lesage discusses his new Berlinale Generation 14plus film Comme le feu (Who by Fire).
Berlinale 2024
Berlinale Review: Klára Tasovská’s I’m Not Everything I Want to Be
Klára Tasovská’s inventive documentary I’m Not Everything I Want to Be chronicles the life of photographer Libuše Jarcovjáková as she tries to become who she wants to be amidst oppression.
Berlinale Review: Luck Razanajaona’s Disco Afrika
Luck Razanajaona’s transporting and touching feature debut, Disco Afrika, is part coming-of-age story, part political awakening, and a fantastic window into daily life in Madagascar.
Berlinale Review: Dag Johan Haugerud’s Sex
In queer filmmaker Dag Johan Haugerud’s film Sex, two nameless middle-aged white men, both straight-married chimney sweeps, grapple with their views on gender roles and sexual identity in contemporary Oslo.
Berlinale Review: Anthony Schatteman’s Young Hearts
Anthony Schatteman’s warm and lovely debut feature film Young Hearts is a rare coming-out and coming-of-age film about characters as young as fourteen. The film Young Hearts screens in the Berlinale’s Generation K+ sidebar.
Berlinale Review: Ray Yeung’s All Shall Be Well
Ray Yeung’s film All Shall Be Well exposes how quickly family bonds can deteriorate and LGBTQ prejudices surface without legal protections.